Riya chaar paair banke let jaati hai, uska chehra gaddi mein daba hua aur kamar upar uthi hui, sabse zyada jaanwaron waale andaaz mein khud ko pesh kar rahi hai. Safed kapda poora upar chadh gaya hai, neeche ka poora badan kaemre ki aankhon ke saamne khula hai. Ghutne bistar pe faile hue hain, andaaz poori tarah jhukne aur pesh kash karne waala hai.
Woh jaan boojh ke apni peeth jhukaati hai, jaanti hai ki uski peeth ki lakeer seedha uske faile hue raan ke beech ki cheez ki taraf le jaati hai. Khidki se aati hui roshni uske chikni gaand ki chamdi pe padti hai, aur woh sirf itna muda ki lens se aankh mila sake, uska chehra pehle se hi nazuk Jor Bagh ladki se badal ke kuch aur besharm ho gaya hai. Baal chehre pe faile hue hain, shareef hone ka natak chhodne ka ehsaas aur badha raha hai. Woh is pose se zyada der tak rukti hai, chahti hai ki Karan har baarik cheez samajh le ki kaise aasaani se usne apni izzat surrender kar di hai.
Side mein palat ke Riya ek kohni pe khud ko sahara deti hai, uska badan safed chaadaron ke saath ek lehri lakeer banata hai. Kapda upar hi hai, aur woh kuch chhipane ki koshish nahi karti, balki ek taang aasaani se khuli chhod deti hai apni garami ki chamakti nishaani dikhane ke liye.
Honth alag hue hue hain ek jaan pehchaan waali muskaan mein, aankhein kaemre pe atki hain ek zabardast josh ke saath jo poori tarah se comfortable dikhata hai is khule haal mein. Dopehar ki roshni uski chamdi pe halke saaye banati hai, uski kamar ke nakaash aur gaand ke ubhaar ko roshan karti hai. Woh apne aazaad haath se apni raan pe aaram se chalti hai, dhyaan us hisse ki taraf kheenchti hai jahan woh sabse zyada focus chahti hai.
Uske chehre pe koi hichkichaahat nahi, sirf ek saaf saaf invitation jo dikhata hai ki woh ek seema paar kar chuki hai aur waapas jaane ka koi iraada nahi hai.
Dheere dheere Riya neeche haath karti hai aur apne kapde ka kinara ikattha karti hai, aur upar uthaati hai taki koi confusion na rahe ki woh kya dikhana chahti hai. Uski ungliyan kapde ko kas ke pakadti hain, kamar ke upar hold karti hui jab woh side mein leti hai, sir upar karke lens se aankh milaaye rakhne ki koshish karti hai.
Ab poora badan khula hai, uski sabse andar ki jagah bina kisi rukaawat ya natak ke saamne hai. Uska chehra ziddi fakr waala hai, jaise dekhne waale ko challenge kar rahi ho ki use judge kare is dikhawa ke liye.
Masoom safed kapde ka uske haath mein ikattha hona aur uske badan ka khula dikhawa ek alag hi tension paida karta hai jo woh jaanti hai Karan ko paagal kar dega. Woh is pose mein rukti hai, lamhe ko kheenchti hai, saaf bataati hai ki yeh galti se nahi balki jaan boojh ke faisla hai apne aap ko uski khushi ke liye neecha dikhane ka.
Ab peeth ke bal, Riya apni taangein poori faaila leti hai, paer bistar pe jame hue hain taki khud ko failaa ke rakhe. Kapda ek crumpled frame ban gaya hai uski nange badan ke charo taraf, pasliyon tak dhakel diya hai taki poora neeche ka hissa kaemre pe dikhe.
Usne pose aisa liya hai ki kaemra sab kuch pakad le, angle kuch sochne ke liye bhi nahi chhodta. Haath uski andar ki raanon pe take hue hain, ungliyan mulayam chamdi mein dab rahi hain jaise zor dekar dikhana chahti ho kaise khud se usne khud ko khol diya hai.
Sir takiyon ke saamne pheka hua hai, gala khula hai, seene ki dhadkan tez ho gayi hai.
Andaaz poori tarah kamzori ka hai phir bhi is mein taakat bhi hai, us aurat ki taakat jo faisla kar chuki hai bina soche samjhe khud ko pesh karna.
Wahi khula dikhawa rakhte hue Riya apne haath apne seene pe laati hai, ek uske chhaati ko kapde ke patle hisse se dabaati hai jabki doosra uske khule hisse ki taraf pet pe jaata hai.
Andaaz masoom aur ganda dono hai, shareef hone ka mazaak jo sirf zor deta hai kaise poori tarah usne isse chhod diya hai.
Kamar thoda bistar se upar uthi hui hai, befaaltu ki harkat jo uski khud ki garami dikhata hai is dikhawa se.
Aankhein ab aadhi band hain, chehra khwaabila aur door ka, dekhe jaane aur chahe jaane ke ehsaas mein khoi hui.
Charo taraf safed chaadaren silwatain daal chuki hain, uski harkaton ki nishaani, saaf suthra kamra ab uski uttejana ki boo se bhar gaya hai.
Ek taang modti aur upar uthti hai, paer bistar pe take hue hain jabki doosri seedhi rehti hai, alag andaaz banata hai jo kisi tarah pehle se bhi zyada khula lagta hai.
Uska haath uski raan pe aa gaya hai, ungliyan maans mein ghus rahi hain jab woh nayi himmat ke saath khud ko pesh karti hai.
Uske garam hone ki nishaani ab saaf hai, uska badan uski khud ki beizzati ke saath bechain gili halat mein react kar raha hai jo roshni pakadti hai.
Woh phir se muskura rahi hai, asli khushi ka chehra jo acting se kuch nahi aur uski khud ki roz ki bandish chhodne mein kaise aazaad lag raha hai usse sab kuch hai.
Jor Bagh ki shareef ladki poori tarah se gayab ho gayi hai is bhookhi aurat ke neeche.
Riya ki ungliyan uske beech mein aa gayi hain, andar nahi, bas uski jhilliyon pe take hue hain aasaani se rishta banane ke andaaz mein jo dikhata hai ki yeh badan uska hai dikhane aur istemaal karne ke liye jaisa woh chahe.
Chhuan halka hai, jaanchne waala, aankhein kaemre pe dekh rahi hain jaise Karan ki reaction samajhne ki koshish kar rahi ho is zyada khule dikhawa pe.
Taangein aur bhi zyada khul gayi hain, ghutne ab bistar mein dab rahe hain jab woh sabse zyada khulne ki koshish karti hai.
Uski nazuk hatheli aur khula dikhawa jisme woh hissa le rahi hai ke beech ka farq ek alag hi jazba paida karta hai jo woh jaanti hai uski yaadon mein hamesha rahega.
Session ke sabse gande pose mein Riya dono haathon se khud ko faailaati hai, ungliyan pakad ke kheenchti hain taki kaemra uske sabse andar ke ang ki har baarik cheez pakad le.
Is lamhe mein koi kala nahi bachi, sirf saaf saaf khula dikhawa jo ashleelta ki seema pe hai.
Chehra gande dikhawe ke upar saaf dikhta hai, chehra challenge aur fakr waala, jaise use dare kar rahi ho ki woh nazrein hataaye usse jo woh dikhana rahi hai.
Safed kapda ab poori tarah bhool gayi hai, pasliyon ke charo taraf bekaar ikatthi, uski shareef hone ka naatak jo gandi haqeeqat se mazaak bana raha hai jo neeche hai.
Side mein waapas palat ke Riya apni gaand kaemre ko pesh karti hai, sir kandhe ke upar mod ke ek muskaan dikhaati hai jo poori daanton waali aur jaan pehchaan waali santushti waali hai.
Pose chanchal hai, thodi sharmili, yaad dilaati hai ki usne sab kuch dikhaya hai ke baawajood, woh abhi bhi thodi taakat rakhti hai is exchange mein.
Haath uski kamar pe take hue hain, ungliyan phaili hue ek apna hissa banaane ke andaaz mein, apne badan ko nishaana banaati hai jo usne khud se diya hai par diya nahi hai.
Uski peeth ki lakeer neeche gaand ke golai ki taraf jaati hai, peeche se nazariya alag par baraabar hi ganda hai uski haaziri ka.
Aakhri tasveer ke liye Riya jahan shuru ki thi wahin waapas jaati hai, chehra neeche kamar upar uthi hui, par is baar woh sir mod ke kaemre ki taraf peeche se dekhti hai.
Pose saaf saaf invitation hai, jo samajhne ke liye koi tarjuma nahi chahiye, uski aankhon mein waada hai jo aane waala hai.
Safed kapda aur upar badan se fisal gaya hai, uska badan poori tarah lene ke liye pesh hua hai.
Yeh woh tareeka hai jisme woh chahti hai ki woh use yaad kare, chamakdaar Jor Bagh rehne waali ki tarah nahi, balki is bechain tayyaar cheez ki tarah jo har shareef hone ke naatak ko chhod chuki hai uski khwahish aur apni khud ki khushi ke liye.
Photo session usse is pesh kash ke andaaz mein rok ke khatam hota hai, uske liye wait karti hai ki woh le le jo usne itne gahrai se dikhaya hai.
